Fan is fantastic till interval, then the Shah Rukh Khan-starrer sags, according to Khalid Mohamed
Khalid began his film career by writing the script for Shyam Benegal’s Mammo (1995), which was loosely based on his grand-aunt’s life.
In 1994, he wrote a moving piece about this aunt who had been deported to Pakistan from India since she was not an Indian national. Benegal asked him if he could make a film based on her story; this was the beginning of a fruitful collaboration between the two. Mohamed went on to write screenplays for Benegal’s Sardari Begum (1996) and Zubeidaa (2001) also based on women from his family.
His first directorial venture, Fiza, was released in 2000. He followed it up with Tehzeeb (2003) and then Silsiilay (2005).
A long-time film critic for The Times of India and then for Hindustan Times, Khalid is a prolific writer and a legendary film critic. He’s also been a national editor with the finest entertainment supplements and magazines that you find in India today.
Khalid has been an editor with leading newspapers and magazines such as Filmfare, The Times Of India, Hindustan Times and DNA. He is one of the most followed film critics in India.
He has written and directed the stage play Kennedy Bridge, besides scripting and directing three documentaries — The Last Irani Chai, Little Big People and the recently completed The Master: Shyam Benegal.
His books include Wherefore Art Thou: M F Husain, To Be or Not To Be: Amitabh Bachchan, Two Mothers and other short stories andFaction.
Khalid lives in south Mumbai.
Fan is fantastic till interval, then the Shah Rukh Khan-starrer sags, according to Khalid Mohamed
The sex flick goes from bad to perverse, says Khalid Mohamed. Not recommended for you.
According to Khalid Mohamed, Ki and Ka is more of a headbanger than a gender bender
Even though the climax is a stunner, the film has failed to impress the reviewer.
A warm tribute by Tejas Nerurkar, one of his apprentices has been paid to Gautam Rajadhyaksha, who can never be forgotten. The peerless photographer was always there to showcase celebrities and help his friends in need.
Sai Paranjpye’s documentary on Pankaj Mullick, Bengal’s legendary music composer, singer and exponent of Rabindra sangeet, made for Doordarshan,no longer exists. And Shyam Benegal isn’t sure whether his TV series Yatra has survived either…
The protests against India’s most pre-eminent artist persist, even three years after his death. A painting of Lord Ganesha by him, on show at Mumbai’s J W Marriott Hotel, was removed following complaints
Khalid Mohamed on the lamentable closure of the 15-year-old MAMI film festival…unless there’s a miracle, coming Monday
Bobby Jasoos was a crashing bore. But Vidya Balan did pay attention to her Hyderabadi dialect. Over to Ms Balan who discusses the importance of bhashagiri
Khalid Mohamed’s take on the incorrigible ways of the Central Board of Film Certification, following the shocking expose of its CEO Rakesh Kumar
The peerless cinematographer, Ashok Mehta, gave a series of interviews to Khalid Mohamed during his last days for a documentary but they are lying somewhere in a limbo…can they be recovered?
Ha ha…or ho hum? A look at the fast deterioration of the comedy genre in apna movies.
Rewinding to the unusually intelligent, multi-gifted and sensitive Jiah Khan, on the occasion of her first death anniversay
A critic’s up, close and personal encounter with the Ram Gopal Varma only he knows.
Thirty years have elapsed… today Tiger Shroff takes over his father’s mantle. A critic’s take on the Jackie Shroff of yesterday, and Shroff Jr of today