Why the NFDC could once again be in the vanguard of the parallel cinema movement and why it warrants as much of a redefinition, as all our other government film-related bodies do
Why the NFDC could once again be in the vanguard of the parallel cinema movement and why it warrants as much of a redefinition, as all our other government film-related bodies do
Photographs from the archives of NK Sareen The year of 1975 was supposed to be a significant one in the history of Indian cinema as Satyajit Ray, Aparna Sen and popular Italian […]